Contextual
(how, what when where and why; depends on prevailing norms or codes to
resist)
Tactical
(must cease the opportunity; fleeting)
Creative
(takes advantages of available resources)
Cumulative
and Incremental (over time, slowly while incremental resistivness is motivated by personal benefits and desires)
Desire and pleasure hand in hand constitutes domination in one form or another. However, the term interpretive play is quite different. Interpretive
Play is an active mode of reading media artefacts that ignores dominant interpretive codes
in favor of pursuing one’s own desires. Erotic analysis encourages the understanding that neither text nor audience determines the other, but instead recognize the production of meaning through Open
text (“writerly”)
A text structured to call for active participation from audiences in the
production of meaning. (e.g. Lost, Walking
Dead) or Closed
text (“readerly”)
A text structured to elicit a particular, usually singular, response from
audiences. e.g. a situation comedy; tv game show such as The Price is Right)
"Pleasure always means not to think about anything, to forget suffering even when it is shown. Basically it is helplessness." - Theodor W. Adorno.
Pleasure is everything in society. If it feels good, we want more. If it eases the burdens of our hard lives, we "need" it even more. Plaisir is a hegemonic pleasure. A type of pleasure that is both comfortable and comforting, but reproduces dominant culture and subjectivity. Dominant (hegemonic) is the gaze; form, genre and narrative. In contrast, Jouissance on the other hand is described to be the disruptive pleasure that is elusive and ecstatic pleasure that destabilizes culture and subjectivity. Jouissance creates a divide in dominant ideology. Resistive (counter-hegemonic): interpretive play; fandom, cultural production and participatory media.
This seem plageristic and straight out of the book by Brian L. Ott and Robert L. Mack Critical Media Studies an Introduction. Not a good idea to post with no credit.
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